I’ve recently discovered that if I split the guitar into 3 sets of 2 string sets. I can cut and paste and repeat these patterns on each string set. Allowing me to cover three octaves at a time while only remembering a 4 or 5 note pattern. Very handy indeed. I’ve included many mode patterns here for you to see how this all lays out on the fretboard.

The diagram below is G Aeolian pattern. This is a 4:3 pattern. 4 notes on one string, 3 on the next. Repeat for each string set.

G Aeolian

The diagram below is G Dorian pattern. This is a 4:3 pattern. 4 notes on one string, 3 on the next. Repeat for each string set.

G Dorian

The diagram below is G Ionian pattern. This is a 3:4 pattern. 3 notes on one string, 4 on the next. Repeat for each string set.

G Ionian

The diagram below is A Locrian pattern. This is a 3:4 pattern. 3 notes on one string, 4 on the next. Repeat for each string set.

A Locrian

The diagram below is G Lydian pattern. This is a 3:4 pattern. 3 notes on one string, 4 on the next. Repeat for each string set.

G Lydian

The diagram below is G Lydian Dominant pattern. This is a 3:4 pattern. 3 notes on one string, 4 on the next. Repeat for each string set.

G Lydian Dominant

The diagram below is G Mixolydian pattern. This is a 4:3 pattern. 4 notes on one string, 3 on the next. Repeat for each string set.

G Mixolydian

The diagram below is Mixolydian Pentatonic pattern. This is a 2:3 pattern. 2 notes on one string, 3 on the next. Repeat for each string set.

Mixolydian Pentatonic

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Modes Tabs

G Major Scale Modes – All 6 Strings AeolianE--------------------------------2-3-5--B--------------------------1-3-5--------G--------------------0-2-4--------------D--------------0-2-4--------------------A--------0-2-3--------------------------E--0-2-3-------------------------------- LocrianE--------------------------------3-5-7--B--------------------------3-5-7--------G--------------------2-4-5--------------D--------------2-4-5--------------------A--------2-3-5--------------------------E--2-3-5-------------------------------- IonianE--------------------------------5-7-8--B--------------------------5-7-8--------G--------------------4-5-7--------------D--------------4-5-7--------------------A--------3-5-7--------------------------E--3-5-7-------------------------------- DorianE---------------------------------7-8-10--B--------------------------7-8-10---------G--------------------5-7-9----------------D--------------5-7-9----------------------A--------5-7-9----------------------------E--5-7-8---------------------------------- PhrygianE--------------------------------------8-10-12--B------------------------------8-10-12----------G-----------------------7-9-11------------------D----------------7-9-10-------------------------A---------7-9-10--------------------------------E--7-8-10--------------------------------------- LydianE-------------------------------------------10-12-14--B----------------------------------10-12-13-----------G--------------------------9-11-12--------------------D------------------9-10-12----------------------------A----------9-10-12------------------------------------E--8-10-12-------------------------------------------- MixolydianE-----------------------------------------------12-14-15--B--------------------------------------12-13-15-----------G-----------------------------11-12-14--------------------D--------------------10-12-14-----------------------------A-----------10-12-14--------------------------------------E--10-12-14----------------------------------------------- G Major Scale Modes – Top 3 Strings AeolianE-------------------B-------------------G-------------------D--------------0----A--------0-2-3------E--0-2-3------------ w h w w h w LocrianE-----------------B-----------------G-----------------D--------------2--A--------2-3-5----E--2-3-5----------

Major Pentatonic Scale Shapes

The Major Pentatonic is used in country or country blues. Basically, any chord progression that would use the Major Scale. Pentatonic scales have just 5 notes. There are five different

Seventh Chords

A seventh chord is a triad that you add the seventh note to. A dominant seventh chord is a major triad with a minor seventh. A major seventh chord is