I’ve included some other scales for reference. The following diagrams are all in the key of A (unless otherwise noted).

Acoustic Scale

Acoustic Scale

Altered Dominant Scale

Altered Dominant Scale

Asavari Scale – G

Blues Scale

Dominant Pentatonic – C

Dorian Bebop Scale

Double Harmonic Major Scale

Double Harmonic Major Scale

Double Harmonic Minor Scale

Double Harmonic Minor Scale

Enigmatic Scale

Enigmatic Scale

Flamenco Scale

Flamenco Scale

Gypsy Major Scale

Gypsy Minor Scale

Half Whole Diminished Scale

Harmonic Major Scale

Harmonic Major Scale

Harmonic Minor Scale

Harmonic Minor Scale

Hindu Scale – C

Hirajoshi Scale

Hirajoshi Scale

Hungarian Major Scale

Hungarian Major Scale

Hungarian Minor Scale

Hungarian Minor Scale

Insen Scale – C

Istrian Scale

Istrian Scale

Iwato Scale

Iwato Scale

Major b6 Pentatonic Scale – B

Melodic Minor Scale

Melodic Minor Scale

Mixolydian Bebop Scale

Neapolitan Major Scale

Neapolitan Major Scale

Neapolitan Minor Scale

Neapolitan Minor Scale

Persian Scale

Prometheus Scale

Prometheus Scale

Rock n Roll Scale

Spanish Scale

Symmetrical Scale – F

Symmetrical Scale

Tritone Scale

Tritone Scale

Vietnamese Scale

Vietnamese Scale

Whole Half Diminished Scale

Whole Tone Scale

Yo Scale

Yo Scale

Explore More

Augmented Chords

An augmented chord is a type of chord that creates a distinctive tense, unresolved, and dramatic sound. It’s based on a major triad where the 5th note is raised by

Relative Minor

To find the relative minor chord of any major key you just count down three half steps. The two keys share the same notes. Using relative minor chords is a